The End of Oak Street

<p>Today on Art of the Cut, editor John Axelrad, ACE, and additional editor, Taylor Bynum, discuss editing the summer blockbuster, <em>The End of Oak Street.</em></p><p>John has been on Art of the Cut for a full decade with<em> Lost City of Z, Antebellum, Ad Astra, </em>and <em>Chevalier.</em> He also edited <em>Spaceman</em> and <em>Papillon</em>, among many others with editing credits going back almost 25 years.</p><p>Taylor was a first assistant promoted to additional editor on this film. He’s had  various jobs on the post teams of <em>Mickey 17, Spaceman, Ant-Man and the Wasp: Quantumania</em>, and many others.</p><p>Today’s discussion includes topics like how intercutting affects a film&#39;s rhythm, a classic cutting-room prank, and how a codebook can free the creative process.</p><p>If you&#39;d like to read along with this podcast, and see the trailer, a timeline and exclusive stills, check out the BorisFX blog site at</p><p>borisfx.com/blog/aotc</p>