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Ep 39: Pedro Ilgenfritz – Physical Theatre: learning who are you are and speaking without words
<p>How do we speak? What messages do we send out, even unconsciously? We can take three elements: the words you use, your tone of voice, and your body language, and reflect that it's the record of the words spoken that have been held up to history as most significant. E.M.Forster asked "How can I know what I think until I see what I say?" But it's those other two – tone and body – that may sometimes convey far more than the words themselves.</p><p>I think it was Ralph Waldo Emerson who offered the insight that, "What you are speaks so clearly that I cannot hear what you say."</p><p>Can we learn to "speak" more effectively even without using words? At Hagley Theatre School that's a powerful part of the acting course under Director, Pedro Ilgenfritz.</p><p>Pedro’s theatre journey began in Porto Alegre, southern Brazil, down towards the border with Uruguay. A time towards the end of dictatorships so his father rightly cautioned the dangers of voicing your beliefs. In times of suspicion about the mechanisms and the reach of power it's necessary to remind yourself that, "You may not know who's listening." </p><p>So Pedro travelled, learning from circus and clowns and mime; then of what the body could say and teach without words, through Physical Theatre, masks, and the techniques of Jacques Lecoq.</p><p>Now, as the Theatre School's Director, his students in the acting programme are challenged in so many ways to use these techniques to construct theatre that speaks to the urgent issues we face; issues that politicians seem to fail to address and that can leave us feeling impotent. </p><p>One focus in these podcasts is on identity and the importance, maybe necessity, in these testing times of knowing who you are. </p><p>The value is real. One young man from a university background as a scientist explained his presence on the acting course: "I want to discover who I am.”</p>