Stanley Kubrick Production Design: The Shining, Barry Lyndon, Dr. Strangelove, Spartacus & The Killing

<p>Stanley Kubrick’s films are known for their unmistakable visual style — but who actually designed the sets?</p><p>Emmy-winning Set Decorator Kim Wannop examines the <strong>production design and set decoration of five Stanley Kubrick films: </strong><em><strong>The Killing</strong></em><strong>, </strong><em><strong>Spartacus</strong></em><strong>, </strong><em><strong>Dr. Strangelove</strong></em><strong>, </strong><em><strong>Barry Lyndon</strong></em><strong> and </strong><em><strong>The Shining</strong></em><strong>.</strong></p><p>Go inside Ruth Sobotka’s stark noir environments for <em>The Killing</em>, the Oscar-winning art direction and set decoration of <em>Spartacus</em>, Ken Adam’s legendary <em>Dr. Strangelove</em> War Room, the historic locations and candlelit interiors of <em>Barry Lyndon</em>, and Roy Walker’s unforgettable Overlook Hotel for <em>The Shining</em>.</p><p>Kim breaks down the impossible architecture of the Overlook, Room 237, the red bathroom, the truth about <em>Barry Lyndon</em>being shot by candlelight, Kubrick’s use of negative space and architecture, and how production designers, art directors, set decorators and cinematographers helped create what we now think of as the “Kubrick” look.</p><p>A production design deep dive into five classic films — and the designers whose work deserves to be part of the conversation.</p>