Handel's Messiah

Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.

With

Donald Burrows

Emeritus Professor of Music at the Open University

Ruth Smith

Trustee and Council Member of the Handel Institute

And

Larry Zazzo

Countertenor, and Senior Lecturer in Music at Newcastle University

Producer: Simon Tillotson

Reading list:

Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)