Eric Stenman: Having an “always mixing” approach to production

Eric Stenman is an LA-based producer, mixer, and engineer whose four-decade credit list runs from Deftones, Thrice, and Weezer to Daniel Caesar's Grammy-nominated Freudian and every AWOLNATION album since 2011's Megalithic Symphony. A decade running Red Bull Studios in Los Angeles gave way to overseeing AWOLNATION's own Malibu studio, where Stenman has helped engineer some of alternative rock's biggest, guitar-built (and famously bass-guitar-free) low end. Most recently, he's stepped from behind the board into the band itself, co-founding the metallic-hardcore project The Barbarians of California with longtime collaborator Aaron Bruno.

IN THIS EPISODE YOU’LL LEARN:

Why "I'll fix it in the mix" usually means more work later, not lessHow Eric commits to compression and tone while tracking, instead of capturing it flat and safeWhat changes once you start picturing the finished mix while you're recordingWhy more experience means fewer decisions get pushed down the roadHow this mindset shift cuts down on retracking and rebuilding sounds from scratchHow treating a song as a whole (instead of piece by piece) keeps a mix from falling apartWhy he avoids soloing individual tracks during a mixHow stepping away from a mix for a week changes what you hear when you come backHow he decides a mix is done, even when a client keeps sending notesHow Eric fills low end without ever touching a real bass guitarWhat "translating" actually means across car speakers, earbuds, and Bluetooth speakers

To learn more about Eric Stenman, visit: https://ericstenman.com/

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