Testing The Waters

All comments, questions, and general feedback can be sent to radiobsots@gmail.com. Record a voice message and send it my way or leave one at the Speakpipe page! You can subscribe to Radio BSOTS via the following options: RSS feed ||| Apple Podcasts ||| Spotify ||| Mixcloud Amazon Music ||| Goodpods ||| TuneIn ||| iHeartRadio Connect with Camp Lo-Fi via social media: Twitter | Facebook | Instagram This episode's track list (title / artist / source / license): 1. Happy Birthday ccMixter by J.Lang featuring Snowflake [ccMixter] (CC-BY) (2024) 2. Thanks For The Memories (Featuring Belle McNulty) by CM aka Creative [blocSonic] (CC-BY-NC-SA) (2024) 3. drain the sun by niteffect [Bandcamp] (CC-BY-NC-ND) (2022) 4. Over by Suhov [Free Music Archive] (CC-BY-NC-ND) (2008) 5. Whenever You Wanna Call Me by Comfort Fit [Free Music Archive] (CC-BY-NC-ND) (2005) 6. Out for a Shrink Pink Drink by Apes On Tapes [Free Music Archive] (CC-BY-NC) (2010) 7. Configurate by Proviant Audio [Free Music Archive] (CC-BY-NC-ND) (2009) 8. 1000 Miles by Bluntspeakers [Bandcamp] (CC-BY-NC-ND) (2010) 9. Soul Groove! (Patience) by !Mc'Lain! [Jamendo] (CC-BY-NC-ND) (2022) 10. The Holowaka Hides in the Shadow of the Sun by Fields Ohio [Bandcamp] (CC-BY-SA) (2024) BSOTS BONUS TRACK: 11. Train Rides - In Praise of Black Men by Nikki Giovanni [Free Music Archive] (CC-BY-NC-SA 3.0) (2009) If you're reading this, it means that you made it out of 2024. Happy New Year and welcome to Camp Lo-Fi. I hope and pray that you will be able to experience peaceful moments and great music throughout this year. I pulled this episode together as 2024 was coming to a close, making this the first sonic statement for Radio BSOTS in 2025. To kick off a new year of the podcast, this episode and the next episode will focus on my participation in the Netlabel Day Radio live stream marathon that took place in July of last year. I initially recorded a 30-minute test run for the stream and figured that I should share that with the listeners. I gathered together some Creative Commons tunes from indie labels that ended up releasing later works under full copyright as time went on, but are still imprints that I hold in high regard (namely Tokyo Dawn, Budabeats, and Error Broadcast). All cuts played during the test run can still be found online via Jamendo, Bandcamp, and the Free Music Archive. This set of music leans heavy on the sounds of international beat culture, particularly that first decade of the early 2000s where th