Rowling Studies The Hogwarts Professor Podcast

← Rowling Studies The Hogwarts Professor Podcast22. Mai · 54 Min.

The Hidden Narratives and Interpretive Ciphers Beneath the Surface Story of Hallmarked Man

The Hidden Narratives and Interpretive Ciphers Beneath the Surface Story of Hallmarked Man22. Mai54 Min.

In yesterday’s Hallmarked Man Notes: The Christmas Charm Bracelet Decoded, Tod Jameson and the Ectopic Pregnancy, and Venetian Blinds, Ed Shardlow explained three sub-texts within Strike 8 that, though invisible on first and second reading, pop up during structural analysis and in light of other Rowling-Galbraith notes.

* The Christmas gift charm bracelet that Strike gives to Robin, for example, appears to be a ring and a key to Hallmarked Man, a meaning that occurred to Ed in light of Rowling’s own bracelet gift to fandom last year as a key to Sleep Tight, Evangeline;

* John Granger’s posts about Strike 8’s cryptonyms similarly encouraged Ed to think about the meaning of ‘Todd Jameson’ and how the “egg-shaped” man had several names and seemed to be stuck on the Tube; and

* Ed’s efforts to finish his charting of each Part of Hallmarked Man brought up the theme of Robin’s blindness and mental struggles in Part Three’s chapter correspondences.

In conversation with Nick and John explore these ideas as well as the potential importance of A. H. Murdoch, a historical figure that Rowling-Galbraith invented whole-cloth, the meaning of his name (‘Alexander Hughson’), and the passages from his book, Secrets of the Craft, which of course are also Rowling-written.

Below are relevant links to the subjects the trio discuss and copies of the ten questions John and Nick asked Ed. Enjoy!

Links to Conversation Subjects

* Hallmarked Man Notes: The Christmas Charm Bracelet Decoded, Tod Jameson and the Ectopic Pregnancy, and Venetian Blinds

Charm Bracelets

* The Christmas Charm Bracelet of Strike 9 Clues (Part One)

* The Christmas Charm Bracelet of Strike 9 Clues (Part Two)

* 'Sleep Tight, Evangeline,' Miniature Psalters, and the Head of Persephone: A Conversation with Dimitra Fimi