But What Do I Know

← But What Do I Know23 Apr · 1 h 17 min

OGBAFIA DEY FOR GROUND

OGBAFIA DEY FOR GROUND23 Apr1 h 17 min

<p>On this episode, we dive into some of the biggest conversations in the culture right now.</p><p>We talk Burna Boy’s recent situation with DJ Tunez, Omah Lay’s <em>Clarity of Mind</em>, and Blaqbonez’s creative rollout approach. We also get into Rema’s evolving sound, Ayra Starr’s direction, and why some artists might be losing audience attention.</p><p>Along the way, we break down standout performances, recent collaborations, and broader conversations around where Afrobeats is heading today.</p><p>TAP IN! </p><ul><li><strong>Burna Boy allegedly attacked DJ Tunez, what really happened?</strong></li><li><strong>Is </strong><em><strong>Clarity of Mind</strong></em><strong> already the best album in Omah Lay’s catalog?</strong></li><li><strong>Zaylevelten might not even qualify for Rookie of the Year at the Headies</strong></li><li><strong>Burna Boy already has two certified classic albums</strong></li><li><strong>Blaqbonez turning diss vocals into a beat challenge is next level</strong></li><li><strong>Rema’s new sound seems to be getting trippy, almost Juice WRLD-esque</strong></li><li><strong>Ayra Starr’s “lamba” side might be better than her R&amp;B bag</strong></li><li><strong>Wande Coal’s Dearly is one of the best songs of 2026 so far</strong></li><li><strong>Deto Black stood out on Spinall’s new track with Mavo</strong></li><li><strong>Olamide sounded like 2015 Olamide on Adekunle Gold’s new track</strong></li></ul><ul><li><strong>Ayra Starr’s new direction won’t stop her from dropping hits</strong></li><li><strong>Qing Madi shows real versatility on her new track with Zinoleesky</strong></li></ul><ul><li><strong>Boy Spyce still seems stuck between sounds and identity</strong></li><li><strong>Fido’s new drop isn’t bad, people just don’t care anymore</strong></li><li><strong>Elestee might have been dropped by Mavin, what happned there?</strong></li><li><strong>Fally Ipupa and Wizkid should’ve dropped a collab years ago</strong></li><li><strong>Taves, Azanti and Tay Iwar on one track would be a problem</strong></li><li><strong>Elestee’s music still needs to level up</strong></li><li><strong>Yemi Alade and Spyro’s collab felt corny and underwhelming</strong></li><li><strong>The Machine Is Coming might actually be better than Industry Machine</strong></li></ul><ul><li><strong>Women in Afrobeats still struggle with strong stage names</strong></li><li><strong>You can still miss great songs in today’s oversaturated market</strong></li></ul>