Clarity Of Mind feat. Dark Phoenix

<p>On this episode, we’re joined once again by <strong>Dark Phoenix</strong>, making her the first returning guest on the podcast. As a music video producer, she brings a unique perspective on both the creative and business side of the industry.</p><p>We dive into some of the biggest conversations right now — Tems vs Tyla, Asake’s upcoming run, Omah Lay’s <em>Clarity of Mind</em>, and the ongoing situation between Mr Eazi’s company and Bad Bunny. We also touch on emerging sounds, artist positioning, and how culture is shaping the direction of music.</p><ul><li><strong>Is Tems a bigger artist than Tyla right now?</strong></li><li><strong>Tyla is more likely to win over any African artist in a major U.S. award</strong></li><li><strong>Asake might drop the best Afrobeats album in 2026</strong></li><li><strong>Boy Alone was better than </strong><em><strong>Love, Damini</strong></em></li><li><strong>Is 2Baba the greatest songwriter in Nigerian music?</strong></li><li><strong>P-Square vs 2Baba</strong></li><li><strong>Ice Prince is an icon, but not a legend</strong></li><li><strong>Omah Lay’s </strong><em><strong>Clarity of Mind</strong></em><strong> is solid, but not “best in 20 years” level</strong></li><li><strong>Is </strong><em><strong>Clarity of Mind</strong></em><strong> just Omah Lay easing out of Keyqaad?</strong></li><li><strong>WELCOME 2 THE VILLE might be better than YP &amp; Azanti 2</strong></li><li><strong>Boy Spyce tried a conscious lane, but it didn’t feel authentic</strong></li><li><strong>Mr Eazi’s emPawa vs Bad Bunny</strong></li><li><strong>Wizkid remains the most awarded African artist at the MOBOs</strong></li><li><strong>The Homecoming lineup felt too niche, not for everyone</strong></li><li><strong>Is it fair that people say Fola and Shoday make “lash tech” music?</strong></li><li><strong>Shoday is getting bigger bags than Fola right now</strong></li><li><strong>Shoday isn’t touching Kizz Daniel’s level yet</strong></li></ul>