
← The First Draft Club5 Aug · 31 min
S11 E05 Rufi Thorpe and I Talk About How, Why, and What We Teach (Part 2)
This is Part 2 of Mary's conversation with Rufi Thorpe, where they finally try to take on the question everyone in this world pretends is already settled: can writing actually be taught?
Mary and Rufi get into what they think genuinely is teachable — permission to chase your obsessions, the "rules" of story that work more like physics than commandments, the tools of craft — and what isn't: taste, the courage to sit in the mess of a bad first draft, whatever it is that gives a story its blood and heart.
Rufi also makes the case that teaching craft this way, stripped of mystique, is actually a feminist act — that refusing to treat writing as some untouchable, born-with-it talent is its own kind of empowerment, especially for the writers (moms, career-changers, anyone without three years and $100k for an MFA) that traditional programs weren't built for.
And they get honest about the fear that comes with being someone's teacher: how do you hand a writer tools without accidentally handing them your taste instead?
Rufi Thorpe is the author of the novels The Knockout Queen (a PEN/Faulkner Finalist), Dear Fang, With Love, The Girls from Corona del Mar (longlisted for the Dylan Thomas Prize and the First Novel Prize), and Margo's Got Money Troubles (a finalist for the 2024 Kirkus Prize for Fiction, winner of the Clark Fiction Prize, and now an Apple TV+ miniseries).
She grew up in Southern California, got her MFA in Creative Writing from UVA, and taught academic writing before joining The Book Incubator, where she and Mary share the belief that writing is a teachable skill — not a rare gift, but something anyone who loves stories can learn. She lives in California with her husband, two sons, and a highly opinionated bull terrier named Coco.
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Happy writing! — Mary
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