Architectural Installation Pioneer: Donna Dennis on Scale, Space & Feminism

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Donna Dennis is one of the contemporary art pioneers who pushed sculpture toward the domain of architecture in the early 1970s. Her complex sculptural installations draw from overlooked fragments of American vernacular architecture.

This conversation dives into five decades of art-making in New York's evolving art world. We discuss how she taught herself carpentry, pipe bending and electrical work to build pieces based on her body's scale. How Virginia Woolf's "Shakespeare's sister" gave her the drive to make work even if no one ever saw it. How feminism shaped her False Front Hotels as self-portraits when she decided "women's lives were worthy of study." And why she refuses to use the word "practice" to describe her work.

Donna's work is held in collections including Brooklyn Museum, the Walker Art Center, and the Smithsonian American Art Museum.

Key moments from this episode:

• From failing at abstract painting in Paris to her first steps toward installation

• SoHo in the 1970s: how big raw loft spaces made it possible for artists to think big

The Holly Solomon Gallery story: from studio visit ("we're buying a country house") to "I'm starting a gallery and I want you to be in it"—then Whitney Biennial within two years

Venice Biennale 1982: realizing in April the show is in June, not 1984—quit your job, six assistants, work doubling in size