The Invite

<p>Today on Art of the Cut we discuss Olivia Wilde’s film, The Invite, with its two editors, Yorgos Mavropsaridis, ACE, and Anthony “Ant” Boys, ACE. Yorgos worked on the edit through the assembly cut then Ant took over for most of the rest of the edit. </p><p>Yorgos has been on Art of the Cut before multiple times for <em>Bugonia, Poor Things</em>, and <em>The Favourite</em>. Yorgos is a Greek editor and graduate of the London Film School. He was nominated for Oscars, BAFTAs, and ACE Eddies, for <em>Poor Things</em> and <em>The Favourite</em>. His other films include <em>Kinds of Kindness, Killing of the Sacred Deer</em>, and <em>The Lobster</em>.</p><p>Ant has been nominated for a BAFTA for <em>The Thick of It</em>. He won an ACE Eddie for the TV series, <em>Veep</em>. He’s also edited <em>The Marvelous Mrs. Maisel</em> and <em>The Great,</em> among other work. </p><p>Today on the show, a discussion of the rules of cutting comedy, how to talk about the performance of an actor who’s also the director, and the difficulty of editing overlapping dialogue.</p><p>If you&#39;re interested in reading along with this podcast and seeing the movie clips that were discussed, you can visit the BorisFX blog site:</p><p>borisfx.com/blog/aotc</p>