The Metaphysical Hour, September 18, 2026

The Metaphysical Hour with Julia Cannon and Tracie Mahan

A Video from the RETREAT!

Dragon Energy, Simultaneous Lifetimes, Protecting Your Field, and Contact From the Other Side

Recorded live in front of a retreat audience, Julia Cannon and Tracie Mahan of The Metaphysical Hour take audience questions on simultaneous lifetimes, protecting empathic energy, QHHT past-life research, and signs from loved ones and extraterrestrial contact, with Tiffany moderating from the crowd.

Lighting the Grid at the Retreat

Julia Cannon opens the recording by asking the live retreat audience to call out where they are from, describing the exercise as a way of lighting up a shared energetic grid with each person's heart light. Voices ring out from Orlando, Denver, Montreal, Seattle, and beyond as Julia encourages the crowd to keep going. Tracie Mahan then explains the show's regular broadcast time, Friday nights on BBS Radio and YouTube, and introduces Tiffany, affectionately called Butterfly Tiffany or Princess Tiffany, who normally moderates questions from the back office. Tracie tells viewers watching later that this session is being recorded rather than streamed live, since it is happening in person during the retreat. The hosts turn to the retreat's atmosphere itself, noting a recurring dragon theme all week, including a small dragon figurine on every hotel dresser, and asking how many guests know their own dragon guide or were born in the Year of the Dragon.

Simultaneous Lifetimes and Parallel Timelines

Tiffany reads the first audience question, asking whether lifetimes can overlap within what people think of as linear time. Julia Cannon answers by recalling how she first encountered these ideas reading the Seth books in the late nineteen-seventies, struggling to absorb their dense concept of simultaneous time until a vivid mental image stayed with her: a multilayered, transparent game board on which moves on one level affected the others. She says she now understands that image as a picture of how many lives are lived at once. Tracie Mahan builds on the idea, describing how a soul can love a particular era enough to start a parallel life running alongside the current one, so that everyone in the room becomes, in a sense, an aspect of one another and of source. She reminds the audience to use discernment, keeping only what resonates and letting the rest go, and Julia praises her use of the word "platform" to describe these layered realities.

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