Ep. #19 - February 2026 (ft. Sarah McMahill, Robyn Hilger, and Peral Shangkuan)

<p><strong>ACDA Podcast – February 2026 | Why We Sing</strong></p><p>Welcome to the February 2026 episode of the ACDA Podcast! As regional conference season approaches, Steve continues the year-long exploration of <strong>Why We Sing</strong> with a conversation that examines the connection between body awareness, personality, and choral music-making. The episode also looks ahead to the <strong>2027 ACDA National Conference</strong>, revisits ACDA history, highlights meaningful repertoire, and shares important updates for members.</p><p>🎶 <strong>Why We Sing – Interview with Sarah McMahill</strong><br>Steve continues the <em>Why We Sing</em> series with composer, educator, and clinician <strong>Sarah McMahill</strong>, whose work connects <strong>myofascial awareness, breath, alignment, and the Enneagram</strong> to singing and conducting. Their conversation explores how physical awareness and emotional understanding can help singers feel more free, connected, and expressive in rehearsal and performance.</p><p>🎤 <strong>2027 National Conference Preview</strong><br>Steve is joined by <strong>ACDA Executive Director Robyn Hilger</strong> and <strong>ACDA Vice President Pearl Shangkuan</strong> to preview the <strong>2027 ACDA National Conference — </strong><em><strong>Singing Through the Ages</strong></em>, happening <strong>March 7–10, 2027 in Minneapolis, Minnesota</strong>. They discuss the conference theme, planning vision, schedule updates, and what attendees can look forward to at ACDA’s next national gathering.</p><p>🎵 <strong>R&amp;R Quick Pick</strong><br>From the National R&amp;R Virtual Reading Sessions, <strong>Matt Hill (Community Choirs R&amp;R Chair)</strong> shares <strong>O Nata Lux by Michael John Trotta</strong>, a lyrical and expressive work well-suited for community ensembles.</p><p>📚 <strong>Into the Archives</strong><br>Steve continues exploring ACDA history by looking at the <strong>March 1961 issue of the Choral Journal</strong>, reflecting on early conference planning, growing membership, and the concept of <strong>“choral scenes”</strong> as an early example of integrating movement and staging into choral performance.</p><p>📢 <strong>Did You Know?</strong></p><ul><li><p>Brock Prize for Professional Composers submissions closing soon</p></li><li><p>Symposium for Research in Choral Singing (April 2026, Chicago)</p></li><li><p>HerVoice Composers Competition &amp; Mentorship Program</p></li><li><p>State and regional ACDA elections