What happens to our moral lives when we stop reading books?

According to every available metric, the number of people who read books across almost every demographic in countries like Australia and the United States has fallen precipitously over the last fifteen years. Whether it be for enjoyment or edification, reading books is no longer something many of us choose to do. As Rose Horowitch writes in her recent cover story for The Atlantic, “The decline in reading cuts across age groups, gender, and education levels. Even the demographics that traditionally read the most — retirees, women, and college graduates — have seen a collapse.”

This isn’t to say we don’t read. Indeed, the paradox is that this crisis of literacy comes at a time when we are inundated with words. The incessant production and circulation of texts constitute our cultural milieu, to the point that we could say these messages are our medium.

But isn’t there is a vast difference between merely looking at or reacting to or skimming words on a screen, and the kind of sustained attentiveness or self-forgetting patience that is demanded by the commitment to immerse oneself in a book? Just as there is a vast difference between expressing oneself in writing and supplying prompts to a chatbot. It is not merely that the activity is different; so too is the effect the activities have on our inner life.

When he was trying to make sense of the peculiar process involved in reading-with-understanding, the philosopher Ludwig Wittgenstein put it this way: “When I read a poem or narrative with feeling [mit Empfindung], surely something goes on in me which does not go on when I merely skim the lines [die Zeilen … überfliege] for information.”

How are we to account for this difference? And how does it relate to the “something” that Wittgenstein refers to? The size of the text has something to do with it. Both Søren Kierkegaard in 1846 and Ray Bradbury in his 1953 novel Fahrenheit 451, warned against the effect of the ever-increasing abbreviation of our modes of writing on our interior lives. Bradbury’s nefarious Captain Beatty thus anticipated the trajectory that would lead to the advent of social media with remarkable precision:

“Books cut shorter. Condensations. Digests. Tabloids. Everything boils down to the gag, the snap ending … Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column … One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands o