Ecotexts in the Postcolonial Francosphere with Nsah Mala, Richard Watts and Giulia Champion

Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field.

Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for t